NEWS

As part of the colloquium "Creations proof of exile of war" at Université Sorbonne,  Camille Leprince  will present an analysis of the Syrian film On the edge of life by Yaser Kassab and Rima Alhamedd,  the/ panel Genres, shapes, spaces from 11:45 to 1.15 p.m. 

The Seminar will be streamed online:

meet.google.com/zvv-ssiz-oti

Poster signed Misha Zavalny, No Enter Zone.

Fotosalong 2020: KAOS

Photography exhebition at Oslo City Campaign, Berlin City Campaign

FAMILY FILM FESTIVAL
ON THE EDGE OF LIFE – Prix du jury


de Yasser Kassab (Syrie, 2017, documentaire, 44 minutes)


Rima and Yasser fled Syria. They are in Beirut, then somewhere in Turkey, as prisoners of an indefinite no man’s land. Yaser Kassab films his companion Rima, the soulless decor where they found refuge, the moon, the pupil full in an eye of black clouds. And everywhere resonate the words of loved ones left in Syria, the guilt of not being there to survive or die with them.


https://www.espace-1789.com/film/festival-du-film-de-famille-le-palmar%C3%A8s-0 

"On the edge of life" as a Best documentary and Best mid-length documentary at Tirana Film Festival

Jury's motivation:

"A heart-rending personal essay on grief and uprooting, on the limbo states of existence"

"On the edge of life" best -mid-length documentary at  Festival dei Popoli 

 jury's motivation:

 "Both lyrical and personal, this film relates an urgent and all-too-common experience today employing a unique cinematic language which creates an important space for contemplation. A story of survival in a contemporary moment of uncertainty, the film gathers textures and images which attest to displacement and struggle but also their representation. Generous, open, subtle and filled with unsuspecting poetry, this film demonstrates how art, cinema and human connection are integral to existence in dire circumstances."

European Foundation Joris Ivens  jury's motivation for the award as a best first film in the 39th edition of cinema du reel film festival.

Yaser Kassab transcend the process of mourning, developing a particular cinematic treatment of space, both internal and external.